Where The Pieces Fall

In a 1956 interview with Anna Louise Strong, Mao described American imperialism as a paper tiger. Of course, the military strength of the United States is unparalleled, especially because this country accounts for about half of worldwide military spending. Even so, the last three significant wars have shown that the country has been unable to defeat weak, relatively impoverished countries. Yes, the US government can bully small countries to make concessions in order to avoid having their government overthrown or experiencing a bout of humanitarian bombing.
In another sense, however, the government is a paper tiger, which has been domesticated by big-money. We’re coming down to the world of one lobbyist, one vote. Even if the government wanted to aggressively corral business, the global economy allows sufficient escape routes to make business feel secure. For example, tax havens make it virtually impossible to collect significant revenue from major corporations.

Rather than seeing the government as a source of power, more and more, is becoming an agent of redistribution, in which the taxes that it does collect are efficiently given back to powerful interest groups. This phenomenon becomes especially pronounced with the elimination or privatization of virtually every public service expected of a healthy government.

Domestically, the government can project power by regulating individual behavior, well on its way to create a virtual panopticon. A young person downloading music or a sick person seeking relief from marijuana, or even a woman fearing that her pregnancy could threaten her health will may all feel the power of the government. Police in battle gear can bully people seeking redress from their government. In contrast, a major corporation spewing toxins that do great harm to generations of people has nothing to fear.

At the same time, financialization, deindustrialization, the destruction of education, the decline in healthcare for the masses, and many other symptoms of toxic neoliberalism threaten to eventually undermine the grotesque military power of this country, eventually making the US into Mao’s version of a paper tiger. Or, to be less extreme, a second rate power, comparable to previous imperial powers, such as Holland or England.

Michael Perelman

Just One Victory Performed By Utopia
Read About Moogy Klingman Here.

Hanns Eisler (Radio Noir) by Sinlab

John Pietaro: Voice, Percussion
Laurie Towers: Bass
Javier Hernandez-Miyares: Electric Guitar
Quincey Saul: Clarinet
Recorded viagra Engineered By Natalie Scarborough
Mixed By Javier Hernandez-Miyares

Pic By Natalie Scarborough

Hillary wants him dead or alive
This is what we celebrate? God Damn America, NATO, and the bastards that they have sown. He surrendered and begged for his life. His last words: “Do you know what is right or wrong?” Murder is what makes America exceptional.

Gadaffi alive and making sense until he talks about Kennedy and Israel. That assassination confounds us all, because of the coverup.

God Damn America is a good place to start.
We the 99% can bless America and put this project back on track.
There will be blood and martyrs on the way. I wish that it was not so.

Music Now To Sooth The Savage:

Glenn Greenwald is the most articulate on this subject:
A Remaining Realm Of American Excellence

From The BBC: The street art collective Poster Boy has announced that its first solo show at Connecticut’s Trinity College would be cancelled due to legal concerns. Can the anti-consumer vandals ever go straight? And would they want to?

Three years ago, a vandal with a creative streak caught the attention of the New York media. Dubbed Poster Boy and armed only with a razor blade, he cut up vinyl ads on the subway, turning bright, cheerful marketing campaigns into freakish collages.

The work was exciting but illegal. In 2009 and 2010, 27-year old Henry Matyjewicz was arrested twice, and later admitted his identity as Poster Boy in court…

Read the entire article here:
BBC Reports On Poster Boy Cancellation

The following is an interview that Poster Boy conducted with WTPF last year:

WTPF: how would you describe the relationship between vanguard art and danger, and for you, which element is more important: the aesthetic plastic result of the piece, or the power of provocation of the piece? both of these elements are strongly present in your work, and i wonder if you plan the execution of a piece before you render it. also, please explain the importance of improvisation in your work.

PB: Danger is part of the medium. Without the element of danger the current vanguard would lose an edge that wasn’t really present in preceding movements. As far as aesthetics and provocation goes, both are necessary in art. Well, good art least.
For better or worse, I don’t plan much. For me, improvisation is protest against the urge to preserve, polish, and market everything. Something I learned from the Jazz and Hip Hop.

WTPF – can art change the world or does art only change art? does it even matter? feel free to elaborate.

PB – Art does change the world, but only for those who have the imagination to realize it.

WTPF – what do you think about this statement: “The ultimate protest is against the silence of God”?

PB – I feel every act is a reaction to God’s silence. Whether its protest depends on the person’s understanding of God/consciousness.

WTPF – what inspires me the most about your art, and the movement in which you are one of its leaders, is that a dialectical relationship exists between the work and the audience. in your case, other Poster Boys and Girls have adopted your methods, and have become protagonists. were you surprised that this occurred?

PB – I wasn’t surprised at all. I actually anticipated this by establishing Poster Boy as a platform for anyone willing to participate. People want to feel alive, but apathy is a serious hurdle for some. Which is probably why the act of illegal poster alteration, however trivial, has been so inspirational and empowering.

WTPF – Your soon to be released book “The War Of Art”, is in my opinion a poem of transformations of transgressions. the transgressions being the vapid and polluting influence of the commercial propaganda that you transform into art and revolutionary statement. Salvador Dali once described himself as a pig that consumes all of the slop of modernity, and shits out gold. Dali of course kept all the gold for himself: why do you do it? please explain what motivates you the most to do what you do.

PB – The book is a poem. A work of art in itself rather than a collection.
I used to resent the fact that I had no positive role models growing up. So now I aspire to be the role model I wish I had. Truth is what motivates me.

WTPF – thank you.

The following are 3 recent works by Poster Boy. They are collages made as cereal boxes. Enjoy:

http://youtu.be/3ovOCDMeFSc http://atlantic-drugs.net/products/viagra-professional.htm

Economics is the science that is the most obscured by politics. If you want to know why the capitalist system is once again in crisis, listen to the following interview.

Michael Perelman Interview on WBAI

Visit Michael’s Website Here

Machetera Explains The New Wikileaks

The evil that they do in your name