music composed, performed and recorded by javier hernandez-miyares.
This piece is dedicated to Joseph Cornell
JHM played the following instruments:
Kurzwiel Piano and Organ
Waldorf Pulse Synth
Proteus 2 Bell Sounds
Roland V-Drum
Electric Guitar
Cornellraga is a segment of a composition which is in progress.
I found Michael Perleman while i was doing a furtive Google search for economists with a Neo-Marxist perspective. That was two years ago. His blog Unsettling Economics then became for me a trusted source of information on this elliptical science.
When i contacted him, he took the time to respond to my query, and thus demonstrated how humanity transcends the economy of scale.
Mama can you tell me why pretty bird has wings but still can’t fly, high or low, thick or thin, beauty goes as deep as painted skin.
Hear my story from of old, every true and righteous soul.
Saints and sinners side by side, no difference, no great divide.
I dreamt about a ghostly flightless bird, sang the strangest song I ever heard.
Mama can you tell me why pretty bird has wings but still can’t fly, high or low, thick or thin, beauty goes as deep as painted skin.
I ain’t gonna cast no stones, you got yours, I got my own.
We all come from the same place, don’t go preaching in my face.
I dreamt about a ghostly flightless bird, sang the strangest song I ever heard.
Mama can you tell me why pretty bird has wings but still can’t fly, high or low, thick or thin, beauty goes as deep as painted skin.
Painted Skin lyrics and music by Donald P. Johnson
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Brief interview with Donald conducted by WTPF:
WTPF – You have described yourself as a writer of “Work Songs”. What Aesthetic and philosophical criteria do you consider when you are making one?
Donald P. Johnson – Primal, rhythmic, keep you going, vent frustrations, connect you to the bigger picture.
The collection is dedicated to the Petits; What they went through was horrific and undeserved. the whole collection is called “work songs” and is dedicated to the petit family/a microcosm of society.
This particular song addresses superficiality.
The collection is a continuum, like “leaves of grass”
30 years ago Occult Science was:
Javier Hernandez-Miyares – Electric Guitar
Alberto Hernandez-Miyares – Bass
Ralph Garcia – Synth Loops
Donald Johnson – Organ Drone
Joe Nocilla – Drums
Tommy Shaw – Synth
This song was written by Bill Laswell and arranged by Javier Hernandez-Miyares
This is live and recorded on cassette…Play It Loud!!!
Fee Fi Fo Fum / Americana (Painting On A Car Hood By Keith Greco)
I have cobbled together the similitude of the live performance of Fee Fi Fo Fum for a benefit for 23 Press. 23 Press was an underground L.A. magazine that published vanguard poetry. Unfortunately nothing exists of that publication now.
Fee Fi Fo Fum was:
Donald Johnson / Keys and Vocals
Javier Hernandez-Miyares / Guitar and Vocals
Alberto Hernandez-Miyares / Bass
John Millspaugh / Drums
All songs were written by Donald Johnson and Javier Hernandez-Miyares
I agree with Mr. Adams on all his points except the last one. The United States is not the best country to make art; It may very well be the best country for a bourgeoisie artist to make a good living, although at the expense of abandoning a dialectical relationship with history. In my opinion the best art is the finest art that challenges, and transforms the public mind: it transforms our sense of ethos. The best art today is available on the internet, and most of the artists that make it, have to work a day job to make a living. They live in every country on the earth.
The video was shot at Cats Paw recording studio in NYC, and the tracks were recorded at Spectrum Studios in Mineola. Most of this song was recorded on new years eve in the hours that arced between 1985 and 1986.
The song was written by Lou Reed and this version was arranged and produced by Javier Hernandez-Miyares
Fee Fi Fo Fum will always be:
Alberto Hernandez- Miyares – Bass
Donald Johnson – Vocals
Javier Hernandez-Miyares – Guitar
John Easter Mills – Drums
Mary K – Keys and Vox
Very moving it is to be in an audience, where it is the custom to sing with the master.
Silvio Rodriguez Is the Walt Whitman of the Cuban revolution. His songs are deeply rooted in the humanism which was described by Che Guevara in El Socialismo Y El Hombre En Cuba
Our utopia is still very far away, but its music has always been with us.
It is better to be Brechtian than Manichean.